Fråga  |
Svar |
KABUKI Features song and dance Tells about conflict between human passions and moral/religious duties E.g., Tōkaidō Yotsuya Kaidan börja lära sig
|
 |
creates contemplative, serene mood religious themes E.g., Matsukaze
|
|
|
|
börja lära sig
|
|
NARRATIVE: an account of actual or imagined events told by a narrator. A narrative is made up of events, the story, and the arrangement of those events, the plot.
|
|
|
TYPES OF NARRATIVE VIEWPOINT 1. First person narration (e.g., J.D. Salinger) 1. Protagonist 2. Secondary character (e.g., A.C. Doyle) 2. Second person narration (e.g., J. McIerney) 3. Third person narration 1. Omniscient narrator (e.g., Arthur C. Clarke) 2. Limited narrator (e.g., L. Carrol) börja lära sig
|
|
4. Intrusive narrator (e.g., Ch. Dickens) 5. Self-effacing narrator (e.g., G. Flaubert) 6. Multiple narrator (e.g., H. James) 7. Reliable narrator 8. Unreliable narrator (e.g., E.A. Poe)
|
|
|
|
börja lära sig
|
|
|
|
|
Stream of consciousness: the 'flow' of impressions, memories, and sense-impressions through the mind by abandoning accepted forms of syntax, punctuation, and logical connection, e.g., Ulysses, James Joyce börja lära sig
|
|
Story within a story (Chinese-box construction), e.g., The Canterbury Tales, Geoffrey Chaucer
|
|
|
Flashback: a change in the temporal sequence of the story so that it moves back to show events that took place earlier than those already shown, e.g., Harry Potter series, J.K. Rowling börja lära sig
|
|
Flashforward: an interjected scene that temporarily jumps the narrative forward in time; e.g., In Search of Lost Time, Marcel Proust
|
|
|
|
börja lära sig
|
|
Epistolary novel: composed of a set of letters, e.g., The Sufferings of Young Werther, Johann Wolfgang Goethe
|
|
|
Pastiche: a text made up of material from other texts, e.g., Rosencrantz and Guildenstern are Dead, Tom Stoppard börja lära sig
|
|
Dream vision: the narrator retells his or her dream, e.g., Alice ‘s Adventures in Wonderland, Lewis Carroll
|
|
|
1. Character vs Supernatural/God, e.g., Paradise Lost, John Milton 2. Character vs Destiny, e.g., The Children of Hurin, J.R.R. Tolkien 3. Character vs Nature, e.g., Robinson Crusoe, Daniel Defoe börja lära sig
|
|
4. Character vs Environment/Society, e.g., Uncle Tom’s Cabin, Harriet Beecher Stowe 5. Character vs Machine, e.g., I, Robot, Isaac Asimov 6. Character vs Character, e.g., Peter Pan and Wendy J.M. Barrie 7. Character vs Self, e.g., The Fall, Albert Camus
|
|
|
Dynamic: changes over time, usually as a result of resolving a central conflict or facing a major crisis. börja lära sig
|
|
Static: does not change over time; his or her personality does not transform or evolve.
|
|
|
Round: has a complex personality; he or she is often portrayed as a conflicted and contradictory person. börja lära sig
|
|
Flat: one kind of personality trait or characteristic.
|
|
|
Hero: displays heroic traits (courage, strength, etc.), e.g., king Arthur Anti-hero: does not possess typical heroic traits, e.g., Yossarian in Catch 22 börja lära sig
|
|
Father figure: displays authority over the protagonist, e.g., Gandalf
|
|
|
Sidekick: a friend/helper of the hero, of significantly smaller part in the story, e.g., Robin in Batman Femme fatale: temptress; e.g., Lady Macbeth börja lära sig
|
|
Villain: the chief evil character; e.g., the Wolf in Red Riding Hood
|
|
|
Trickster: a rule-breaker, usually comical; e.g., Puss-in-the-Boots börja lära sig
|
|
Underdog: inferior to the rest of the characters, unlikely to succeed; e.g., the Ugly Duckling
|
|
|
GLOSSARY OF COMMON LITERARY DEVICES börja lära sig
|
|
Cliffhanger: a suspenseful or dramatic moment, finishing a section of the story
|
|
|
Fisher King story: the land of the Fisher King not only reflects the kind of rule they impose, but their moral alignment, state of health, and in some cases even their mood. ("The Land and the King are One.") börja lära sig
|
|
Foreshadowing: suggesting, hinting, indicating, or showing what will occur later in a narrative
|
|
|
Red herring: diverting the attention of the reader from the significant clues in the text, esp. in crime fiction börja lära sig
|
|
Epiphany: a revelation of such power and insight that it alters the entire world-view of the character
|
|
|
Motif: a conspicuous recurring element, such as a type of incident, a device, a reference, or verbal formula börja lära sig
|
|
Mood: the predominating atmosphere or tone of a literary work
|
|
|
Theme: central idea or statement that unifies and controls an entire literary work Tone: the means of creating a relationship or conveying an attitude or mood börja lära sig
|
|
Setting: the time and place of action
|
|
|
